It is our passion to capture the structures of light around us. From the lush shapes of rain forest plants to the strictly planned outlooks on modern technology.

Our negative material is mainly in black and white, but we do not take this as a limitation. Exploring the possibilities of our negatives with dyes and toning techniques, we achieve expression beyond the colour schemes found in the original subjects.

We believe that the unpredictable, small changes that appear in the wet lab processing conditions from print to print enliven the photographs. They give each print a uniqueness that cannot be achieved by digital imaging techniques.